photography • faces • landscapes • stills
The film negatives I rediscovered a couple of days ago must have fallen into a bowl of salt and pepper- but I do love the pics anyway. Reminding me of a beautiful time with choreographer Anastasia Valsamaki and dancer Gavriela Antonopoulou in the Krama dance studio in Athens (May 2018), when they were developing and rehearsing their dance solo […]
When we left the plane in Thessaloniki a couple of weeks ago we had to make a COVID 19 test. Luckily the result was negative, so we left for the Greek island of Samothraki 10 days later after staying at my sisters house. In my baggage: a Leica M6 with a 50mm Summarit 2.4 lens, […]
I‘d hoped to experience some great sea food in the Village Fete of Ploemeur, but the whole place was smelling strong from Andouille, a local sausage, which consists of parts of animals I don’t even want to think about. It was was cooked and roasted all over the place. But then again: a spectacular light […]
From all the places we visited in Brittany I would say: Le Croisic is it. The essence of o place so heavily formed and influenced and determined by the sea. The coastline. The fields in front of the crushing waves. The heavy buildings with their grey rooftops. Smirking seagulls surfing air streams. Heavy shadows on […]
April 2018, ein Jahr ist es her. Als ich gestern die Scans der Negative anschaute, kam es mir wie eine kleine Ewigkeit vor, dass ich mit dem kleinen Mietwagen die Hauptstraße der Insel entlang fuhr und Schafe und Ziegen zählte. Ab und an ausstieg, mich auf die warmen Kieseln direkt ans Meer legte, den Kopf […]
This time I wanted to bring just an analog camera with me. The small, beautiful and remarkably heavy Rollei 35 with a Tessar lens. Loaded with Kodak Portra 400 (pushed one stop). Every year I travel with a bunch of good friends to the Netherlands for a few days at the sea in winter time. […]
I still struggle with the square-format of my Rolleiflex camera. As much as I like the fact, that it slows down my photography and forces me to compose the picture with more care, as much as I like this beautiful gigantic viewfinder, which transforms an ordinary object into a piece of art, it’s a painful […]
navidson & streets 